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Posts Tagged ‘internet’

How long does it take for a pirated movie to spread on Pirate Bay?

Not long.

 

Interesting Doco: Behind the Reply Girl Phenomenon

If you like Internet personalities and/or Internet culture, then this little (under 10min) doco will be right up your alley.
It tells the story of ReplyGirl – a rather saucy-looking (you have to say “saucy” like a crooner for it to work) entrepreneur that used her god-given gifts to make some money on/of YouTube. She also created a bit of a “hoo-ha” (you have to say “hoo-ha” like Al Pacino for it to work) on the Internet, splitting the opinions of people on it in two.

So sit back, and enjoy the show (you can say that anyway you want for it to work).

Credit to VICE for making this doco.

Facebook Anthropology: The Moocher

Date Published: 13 June 2012

Link: socialmedianews.com.au/facebook-anthropology-the-moocher/

My write-up about a subculture of individuals I found on Facebook. It’s about people that predominantly use FB to win competitions and prizes, and how they impact the online community that they’re within.

This is my first published article. Very proud…

BLA BLA: A Film for Computer

All I can say is this is dope!

It’s an interactive story whos meaning I’m still trying to figure out. It certainly is an emotional experience, and I can see that this style of presenting a meaning could really take-off. So many possibilities stem from this piece.

Check it out, and enjoy.

An Interesting Proposition – a record label for free music

Once in a while you come across a catch that you just don’t want to let go off. You’ve seen it before, and you know what it is, but because what your seeing is so different to the rest of what’s out there that you can’t bring yourself to not liking it. Cut Records has one of those catches, and the catch is this – it’s a free music record label.

Right now, there is so much free music available online – more than you can poke your proverbial stick at. So doing something different definitely helps you to stand out.  What Cut is doing is pretty smart – get a quality product (music) catalogue together, make sure that the sound of each individual release matches the overall label’s feel (brand), wrap-it-up in a nice stylistic package, and then make it available for the consumer to digest. But with expectations of the product being free, can one still gain a reward? I believe you can. Radiohead did. Now I know that they had a bit of a head-start because of their name, but what In Rainbows did show us was that people were (and still are) willing to pay for music, even when it’s out there for free. And as years went by, I realised that the idea of having music on a physical medium is not dead – it actually seems to be gaining feet. I’ve noticed that the latest trend in the indie/underground music industry is to release both digital and vinyl versions of each release, with some labels going as far as giving the mp3 away for free with every vinyl purchase. This strategy is catching on, as more and more consumers are willing to fork-out the extra dosh for the vinyl simply because of what the vinyl does. Someone said that people buy cars not so much for the ride, but for the perception that the car will create in peoples minds about the driver – a classic product personality association. The same is happening with vinyl – it’s the medium of choice for anyone that wants to be perceived as a music lover. Digital music is worthless; it’s just data that is sitting on a hard-drive. It can disappear as quickly as it came. A physical release on the other hand is something that is a bit more tangible – you can show it off to people, you can create a physical (turning into emotional) bond with it, and achieve pride in owning it. The fact that most of today’s vinyl comes in limited pressing ads to the aura of the product being “special”.

With this hunger for the physical growing, Cut could very well move into the physical/vinyl product sphere. Their product is great, generating very positive press. The free pricing model is certainly affordable (the “Pay with a Tweet” option is fantastic – let the consumer spread the word about the label/product to their friends), and the overall presentation/packaging of the product/brand is well executed. As more fans jump on the label’s bandwagon, offering limited edition paid vinyl/CD or other physical medium versions of the free digital music could be a profitable proposition. In the meantime though, let the music keep on coming.

Cut is definitely onto something here.

A message from Anonymous to #OWS: a glimpse into the values of the future consumer

If you’re a net digger like myself, then you probably would’ve heard the of the “Occupy Wall Street” event that is currently unfolding in the US. What started as a small march and campsite against Wall Street/financial inequalities, has now escalated into a large-scale movement that could be (already is) a major cultural event. With the protesters dominating the online social frequencies, and the traditional media unable (unwilling?) to describe and relate to what the protest stands for, the situation has become a bit of a “us vs. them”.

With videos and reports of questionable Police action surfacing on the net, the hacktivist group Anonymous declared its support and allegiance to the OWC movement.

Whatever your personal viewpoint on the situation is, you can’t help but to feel that it is more than just a rally. Listening to the message in the video one can’t help but to think that the young generation has taken the future into their own hands, and are ready to shape it in a way that fits into their “internet generated” beliefs; equality, self-moderation, we’re all the same no matter where we are, we all have a voice, and out with the old, in with the new are all present in the video. It really is a great example of how this “generation zero (0)” thinks of itself. If there is any cue/event to which brands should be keeping their ears/eyes peeled to, it’s this.

Dubstep and the LA beat scene; Music that is defining our culture

If you are a fan of underground music, then this is not new to you at all – dubstep and ‘beatacism’ is taking over the club scene. What started off as young producers and DJ’s making music that they (as opposed to the rest of the crowd) liked and playing it among themselves, quickly escalated into a musical movement that’s sweeping the globe. Embraced by the few that keep their ears to the ground, it is now slowly filtering into the mainstream. And these new genres of music have grown in popularity thanks to the one tool that the music industry has been fighting to curb for years – the internet.

The impact music has on our culture is undeniable – just think of Bob Dylan, John Lennon, et al and the effect their songs had on the peace/anti-war movement of the 60′s/70′s. Music is a contagious symptom of beliefs that can spread quicker than the flu. A musical movement is not just a bunch of catchy chords and melodies sung and danced to by a few people – it’s also a map by which they live their life by. And it’s those that latch-on to what is perceived to be the “new sound” that usually have the social power to influence those around them. And not just musically, but also in what to wear, eat, watch, read, follow, believe, how to act, and how to behave. Smart marketers/creatives/strategists know this very well, and tapping into the trend-setter can be a very lucrative proposition. It can also back-fire tremendously if done in a “distasteful to the cool peeps” way.

Here  are two short documentaries that talk about the evolution of dubstep; how it started, what are its beliefs, and where it is heading. There is a an interesting talk about how the internet has helped the genre and its artists to spread their sound beyond their small city borders, and into the wider world. It also talks about the old adage of “underground vs mainstream” – they listen to this music to differentiate themselves from the crowd, but the further they push their sound, the more people pick it up, which then the mainstream latches on to it, and then the movement dies and evolves into something else; a never-ending musical life-cycle.

So, have a look and see what the ‘cool kids’ are into these days. It’s just a matter of time before every brand and medium picks these genres up, and milk them for their “cool”.

Future Sound – An Underground Electronic Music Documentary

Dubbed Out In Bristol – Dubstep Documentary

Unfortunately I am not aware of any docos about the hip-hop ‘LA’ beat scene, but have a read of the link in the first paragraph (it discusses how this genre started in the parking lot and a boom-box, and moved on to every part of the world within a matter of a few years), and this one here. And while you’re at it, make sure you listen to the music too – it really is something new.

“And the winner is Facebook!”, ie. the tagging of brands in photos

I couldn’t help to notice that there’s been a bit of a discussion on the new Facebook feature where users can tag pages in their personal photos. A lot of people are voicing their concern, worried about the possible spam and privacy issues that this feature could bring. There is talk of an automatic tagging system being put into place, with brands tagging themselves as soon as they detect their presence in your photo.

Although I do agree that spam might be an issue, I don’t think that Facebook is that silly to allow for auto-tagging to take place – this could really hurt their reputation as a business and as a brand (really bad and negative connotations would arise in peoples’ minds). What I believe they are doing is to wait for the feature to popularise itself, and push for brands to sell their products directly to the consumer through their Facebook page – all via Facebook credits of course.

Imagine the day when you can see your friend’s friend that you don’t really know being tagged with a new pair of Levi Jeans that you haven’t seen before. You click on the Levi tag, hop-over to the Levi page, and you see that very same pair on sale in the page’s online store, available to buy using Facebook coins. And with multiple brands selling their products using this source, “Facebook shopping” could become a common practice in our future consumption (the way I see it, if you can add your CC details to an online store, you can do it to your Facebook profile as well).

I think that Facebook is going for something a bit bigger than just allowing companies to pay for an auto-tagging feature. I think what they are trying to do is to create and popularise a currency of their own. Facebook already has an early version of a monetary system, the Facebook Credit, and although it is growing in popularity, it is restricted to social games and apps – not to actual consumer products and services.  Although introducing a new currency might be a bit tricky, imagine if one day apart from the price of the Pound, Yen, and Euro, Facebook Credits will also be reported on the day’s financial news.

The moment when Facebook becomes not just a social network, but a financial institution as well, it will mark the spot when the company moved to the next level. With the largest consumer network now being able to trade freely within itself, Facebook could be racking in the cash for every transaction that takes place. And if you stop and think about the amount of trades that could happen in a single moment (just think, over 700 million users now – what will it be in the future?), you can see why the company would want to move in the ‘online shopping’ direction.

At the moment, it’s all speculation, but it will be interesting to see how this all pans out. Either way, the Zuckerberg gang is planning on doing something – let’s just observe and see where this one goes.

How to create a QR Code

A little ‘How to’ guide on making your own QR codes.

Click here for the guide (straight from Mashable.com – one of my most-often visited sites).

Reflective Web Media Creation: The Pitch – Web Media 507

Click on the image to download the assignmentThis is a copy of my pitch for the “Izquerda de la Copia” Reflective Web Media Creation assignment for Web Media 507. The assignment asked to present an idea for a web medium that would illustrate an issue from the unit in a way that anyone can understand and engage with it (meaning: in layman terms).

I wanted to create a funny, yet informative, video on the current copyright and illegal file sharing debate that is doing the rounds at the moment. Inspired by the “Downfall” internet meme, I created my own “foreign language” parody; I took scenes out of the Spanish-dubbed Oceans 11 movie, added my own English subtitles, flipped over the storyline, and created a trailer for a movie about a man trying to change the current music and movie industry stance on copyrighted material.

The lecturer loved the idea. However, at the time I didn’t have the script ready (I just visualised it in my mind), so the final grade for the pitch was 78%.

The final video/project can be found here.

“Izquierda de la Copia”: Reflective Web Media Creation – Web Media 507

The following video is a trailer for a movie that doesn’t exist. The movie tells a story of a man who came-up with an incredible scheme on how to revolutionise the way people consume and engage with videos and music. He believes that by easing up on intellectual property rights and copyright law enforcement, and by allowing people to share information and media products among themselves, the media and music industries present themselves with a far better chance of prosperity and long-term success.

Although his friends agree with his beliefs and views, they don’t believe that the established media organisations will listen to, and adapt his approach. Even more, they think that his scheme is in fact crazy – crazy enough that it just might work…

 

Link – www.youtube.com/user/mnapora

This video is part of my Web 507 unit at Curtin University.

The video was inspired by the works of Lawrence Lessig (his podcast series, episodes “Freeing Culture” and Tedx Talk) , Henry Jenkins, Gerd Leonhard, and the hundreds of youtubers, pirates, and bloggers who reckon that it’s time for organisations to accept that the Internet has changed the way we behave and interact with media content, how we consume it, and how we interact with each other. It’s time to embrace the revolution…

 

A media futurist on the future of Social Media

I stumbled across this talk by Gerd Leonhard while looking for inspiration on how our future will change thanks to the role that social media play’s in our current daily lives. He has some very interesting views and opinions on how we, as a society, will change the way we communicate, receive information, interact with each other, and trade in the near future. He covers a wide range of topics, from the music industry, television, communication, social behavior, public relation, marketing, and more. It’s worth a look.

The 2011 International Online Communities and Social Networks Student Conference – Promo Video

The following is a promotional video I made with a fellow OUA student Katrina Comyns. It’s a video we prepared to help spread the word about the conference that we are part of.

Since you’re here, check out the conference itself – some really amazing and inspirational ideas coming through (click on the image on your left).

Businesshead: “The King of Limbs” and its early promotional success

It’s been less then a week since the release of the latest Radiohead album, The King of Limbs. As a Radiohead fan, the first 24 hours have been very analytical, and no matter how excited I was about hearing the new material, I just couldn’t help myself to reflect back, and think about “In Rainbows” and what the album meant to me and millions of other fans worldwide. “In Rainbows” wasn’t just the music; it was a social experiment that flipped the script on how people buy, interact with, and consume music. It achieved both critical and commercial success, at a time when artists and labels were accusing the internet of hurting music sales, with profits from physical mediums dropping due to rampant piracy. What “In Rainbows” showed was that people are still willing to pay money for good music, and the internet is a very good tool for reaching those consumers. The key was to let go of the traditional music sales model, and embrace a new concept. Radiohead were able find that magic formula, and with it, the cult of “In Rainbows” was born. (more…)

Podcast: An Integrated Marketing Communication Tool – Global Marketing Communications 640

The following is a copy of my GMC 640 written assignment. I’ve decided to write about podcasts, and how they can be used as a marketing tool. The assignment talks about what is a podcast, the people that use (and how they use) podcasts, how they’re done (and how to do them well), and finally, how to promote podcasts. I wrote this assignment at a time when I was really excited about podcasting; I’ve discovered a lot of great music, topics and tid-bits of info from them, and I’m still a firm believer that a great podcast can really add value to the consumer and the brand – as long as it’s relevant to both.

I received a High Distinction for this assignment, with the only major criticism being that I didn’t really include an introduction – a valuable lesson learned. Mind you, since the time of writing this (circa 2009), the podcasting game has changed heaps. It’s certainly evolved into a big beast, with thousands of podcasts fighting for listeners ear-time. However, there’s still a lot of references, consumer data, etc that will add value to any podcast related project that you might be working on.

Pew Internet & American Life Project

A real goldmine on Internet use (social media, web 2.0, how, when and where – plus more), it contains reports, research papers, presentations and more. It’s the first place to look when you need to write a report.

Link – pewinternet.org